Auckland Art Gallery News, 2004 ___ A collective gulp accompanied the announcement of the winner of the first Walters Prize two years ago. Harald Szeemann chose fledgling photographer Yvonne Todd because her work was “the most irritating”. Todd rode the wave of stardom, producing four new bodies of work in […]
Art Writing
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Pavement, No.51, February/March 2003 ___ Experiencing my first Yvonne Todd exhibition was like being haunted by the ghost of my own depraved adolescence. 1998’s Fleshtone revelled in the seedy sexuality and misguided glamour of Todd’s Takapuna teenage years. “I used to wear a hot pink leather miniskirt, over-the-knee suede […]
Pavement Issue 57, February/March 2003 ___ “My drawings of snakes don’t even look like snakes,” shrugs Francis Upritchard. This is not quite true. On a piece of white paper, a lumpy blue outline coils into an impressive portrait of a carpet snake – the fat frumpy kind made to lie […]
Pavement, April/May 2001 (Issue 46, page 26) _____ An inherently melancholy mood pervades Michael Harrison’s latest exhibition I’ve Got This Friend. This feeling is captured by peculiar personifications of Harrison’s pet subject: the cat. Harrison’s cats are an intriguing continuation of his interest in the mysterious nature of attraction. The formerly […]